Bumiller and her reporters craft a story leading with Trump’s apparent new policy toward immigration, but it’s rewritten by the home office which prefers to emphasize his statement about ending “trivial fights.” Bumiller is stunned by the revision and refuses to come to the phone to discuss the matter. The struggle for editorial dominance between the paper’s New York and Washington offices is illustrated by an episode during the coverage of Trump’s congressional speech.
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“We think in decades.”īesides financial woes, the paper is plagued by a president who declares the press to be “the enemy of the people.” Not long after, White House correspondent Glenn Thrush, along with reporters from several other outlets, is denied access to an open press briefing, with the editors seen puzzling over exactly how to respond. Sulzberger, the deputy publisher, puts on a brave face.
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We see office space at the paper’s Manhattan headquarters being reduced to save money. The Times soon retaliates with its own scoop about Trump’s campaign aides’ repeated contacts with Russian intelligence figures that lands investigative reporter Mark Mazzetti a guest appearance on The Daily Show.ĭutiful mention is made of the problems facing print media in the internet era. “I hate it!” she says, not entirely kidding. Bumuller scoffs at the notion that she should relish the competition. But the events are obviously seen from a different perspective here, such as when the paper is scooped by The Washington Post on the story of Flynn’s communications with the Russian ambassador.
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After the two reporters laugh about it and Haberman starts writing the story, she asks, “Does anyone else feel like I’m having a stroke?”Īn inevitable air of déjà vu accompanies the proceeding as we watch the newsroom grapple with such stories as Trump’s Supreme Court pick, the Michael Flynn resignation, his first speech to Congress and James Comey’s congressional testimony, among others. After the call is over, another reporter rushes over to her and says that while she was talking to Trump, he was texting with a White House official who made a statement contradicting Trump that could be used off the record. In one of the documentary’s highlights, Haberman is seen talking a phone call from Trump in the immediate aftermath of the defeat of the House bill attempting to repeal Obamacare. The film makes clear the tremendous personal toll the job takes on her home life, such as when she comforts one of her children over the telephone about a nightmare. “Trump was a quote you’d try to get because he’d always juice up a story,” she comments about her time writing about him when he was a mere real-estate developer. Little did he then know then how much of an understatement that would turn out to be.īesides Bumiller and Baquet, one of the film’s stars is reporter Maggie Haberman, who has had the fortune (or misfortune, depending on how you look at it) of covering Donald Trump for 20 years. “I think it’s going to be a huge test for us in a lot of ways,” comments executive editor Dean Baquet about the travails to come. “It was really dark, don’t you think?” asks Washington bureau chief Elisabeth Bumiller about Trump’s nihilistic speech. The episode titled The First 100 Days begins with people in the newsroom watching the inauguration.